Coney Island Review By Skott Freedman at Indie-Music.comOn his eighth solo release, Coney Island, singer-songwriter Fred Gillen, Jr. delivers a respectable collection of folk-rock tunes surrounding themes of love and adventure. The title track does a fine job of pulling the listener in as ethereal reverb-laced vocals promise an album of something original, not just another bland cookie from the singer-songwriter bakery. Gillen effortlessly lulls the listener along with the poignant "This is a dangerous place to fall in love" as he weaves in a story about the wandering ghost of Woody Guthrie. "Elliott," a touching tribute to the late Elliott Smith, is a surprisingly vulnerable track from Gillen and offers yet another side to the troubadour. Throughout the strangely appropriate upbeat song, Gillen maintains a fine balance between a dedication and a sappy tribute. It’s his lyrics indeed that carry much of the album, straying from cryptically emo lyrics too often pervading the indie music scene. Gillen’s lyrical style is both refreshing and unique while remaining accessible to the listener. On the electronica-tinted "Censor the Wind" (sure to keep you listening from start to end on the first listen) Gillen proves his voice is capable of crossing genres. It was a gutsy move (Gillen tried the same electronica approach on "Gone," which didn’t succeed) but I applaud Gillen for pushing his usual boundaries. Still, it seems Gillen shines most on the more simpler arrangements like on the final track, "Eleanor," where his voice remains at the forefront. At times I hear a little Glen Phillips (Toad the Wet Sprocket) creeping in, strong but never forced. On Coney Island, Gillen continues to assert his stance among contemporary singer-songwriters that he will surely be producing new and exciting music in years to come. Sunday, July 13th 2008 |
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